The Best Picture Winners, Part 12 | Gone With the Wind (Part 1 of 2)
It has been a perennial of American film [...]
Hello, Dankness (2023)
The value of experimental filmmaking is in challenging you to consider what they are trying to say, to challenge your cinematic comfort zones. What is...
Art for Everybody (2023)
This review is part of my coverage of the 25th Annual Sidewalk Film Festival.I never really gave much credence to the work of the late...
Blog: Killing Connie Casserole: How Stonewall Vilified ‘The Boys in the Band’
Between 1968, when playwright Mart Crowley wrote his off-Broadway hit “The Boys and the Band” and 1970, when William Friedkin turned it into a movie,...
BLOG: William Friedkin’s legacy of gamechangers: “The French Connection” and “The Exorcist”
In most cases, when a great director passes, the news outlets focus only on their most notable works while slighting the best work in their...
A Compassionate Spy (2023)
Released at virtually any other time on the calendar, Hoop Dreams director Steve James’ new documentary A Compassionate Spy might have flown through the critical...
After the Bite (2023)
At the same moment when Discovery is blowing its over-inflated horn about Shark Week (bolstered slightly out of familiarity by the presents of Jason Mamoa)...
Cobweb (2023)
I come to you now, dear reader with a confession. I am reviewing Sam Bodin’s new horror thriller Cobweb without having finished it. Yes, I...
