The Best Picture Winners, Part 12 | Gone With the Wind (Part 1 of 2)
It has been a perennial of American film [...]
Horror
Hypochondriac (2022)
Addison Heimann’s psychological horror drama Hypochondriac is the kind of movie that, as a critic, I find it difficult to describe in words, you watch...
Mad God (2022)
I don't know what to do here.I just spent an hour and twenty-three minutes beholding Phil Tippett's Mad God, an ugly, unpleasant dystopian nightmare from...
The Righteous (2022)
There is so much to love about actor Mark O'Brien's directorial debut The Righteous, and so much a relief that a first-time filmmaker can engineer...
They’re (still) Heeeere!: ‘Poltergeist’ at 40
Steven Spielberg doesn't talk about Poltergeist for reasons that I can only speculate. The last time that I recall that he even mentioned the film was...
The Innocents (2021)
Norwegian director Eskil Vogt got a double-honor at this year's Academy Awards, first by getting a writing nomination along with his collaborator Joachim Trier for...
We’re All Going to the World’s Fair (2022)
Sometimes, just for laughs, I go YouTube and watch those videos where armchair eggheads like myself take a piece of filmmaking and trying to intellectualize...
Choose or Die (2022)
It's funny, right before sitting down to watch Toby Meakins' Choose or Die, I was lazily moving through the first installment of Zork - I do...
