The Best Picture Winners, Part 12 | Gone With the Wind (Part 1 of 2)
It has been a perennial of American film [...]
Foreign
Vortex (2022)
It is always a great joy to present a four-star review to a film by a director whose work that I habitually avoid. That's not an...
Anaïs in Love (2022)
If I were living in a space that included a girl like Anaïs I might be inclined to want strangle her, or at the very...
The Tale of King Crab (2022)
Alessio Rigo de Righi and Matteo Zoppis' The Tale of King Crab opens with a moment that I found completely inviting. We're in...
Paris, 13th District (2021)
I saw Jacques Audiard's Paris, 13th District on a day when I saw five other movies. It was the only free day that I had in the...
The Girl and the Spider (2022)
One is tempted to look at The Girl and the Spider and toss it into the bin of 'art for art's sake.' I get that. ...
Ahed’s Knee (2022)
When Ahed’s Knee ended, I experienced a somewhat frustrating day-long period of trying to decide how I felt about it. The film is challenging, there’s...
Ema (2019)
[This review is part of my ongoing coverage of the films screened at Birmingham Alabama’s 23rd Annual Sidewalk Film Festival]Pablo Larraine’s Ema opens with one...
