The Best Picture Winners, Part 12 | Gone With the Wind (Part 1 of 2)
It has been a perennial of American film [...]
Author Archive: Jerry Roberts
Jerry Roberts is a film critic and operator of two websites, Armchair Cinema and Armchair Oscars.
Marvelous and the Black Hole (2022)
Marvelous and the Black Hole is the most harmless movie that I've seen in a while. I was in a good mood watching it, and maybe...
Conversations With a Killer: The John Wayne Gacy Tapes (2022)
I never really thought much about John Wayne Gacy. That's largely because I don't spend a lot of time delving into the lives of serial...
White Hot: The Rise and Fall of Abercrombie & Fitch (2022)
I was a white teenager in the late 80s and early 90s, but I never went to Abercrombie & Fitch. Beyond a black Member's Only...
A Clockwork Orange (1971) | The Pod Bay Doors Podcast, Episode #234
This episode, Doug takes us to the not-too-distant future with Stanley Kubrick's A Clockwork Orange. Kubrick's most controversial film, it paints a picture of a...
Dual (2022)
Up to this point, I have been like many in regards to actress Karen Gillian in that I have only known her for her (as...
We’re All Going to the World’s Fair (2022)
Sometimes, just for laughs, I go YouTube and watch those videos where armchair eggheads like myself take a piece of filmmaking and trying to intellectualize...
Chariot (2022)
There is a line in Chariot that I think pretty much sums up the entirety of the film: "Surely, it had to mean something." When the...
